Many of the main characters come to outlive the people and the places they once used to identify with, struggling to fit in their current reality. Examples of this are Cloud and his past in Nibelheim and SOLDIER, Barret as the leader of AVALANCHE, Red XIII as the protector of Cosmo Canyon, and Cid as Shinra's aeronautical engineer. The cast is motivated by the loss of something that once defined them.

You’ll also get a glimpse at the gripping story, which sees Cloud Strife and his allies confronted by some shocking mysteries, along with some exciting ways for them to team up in combat.

During the scene where the Sister Ray is about to fire at Diamond Weapon, a voice can be heard over an intercom.[27] (This is hardly audible due to the music that continues to play in the background. It can be heard while viewing the cutscene video clip that is on the PC version.)

These desires developed into the Lifestream, and the game's iconic death scene whose subject subsequently remains a part of the cast's lives.[23]

Rediscover some of the most celebrated titles from previous generations of console gaming, from legendary horror experiences to classic cartoon platformers, rebuilt using modern hardware.

Entre ESTES momentos demonstrados no trailer, vemos a visita por Cloud e Sephiroth em Nibelheim (que era 1 flashback pelo game original) e diversas cenas inéditas. Confira:

The planet was once home to the Ancients, who called themselves the Cetra. The Cetra traveled the planet cultivating life wherever they went, and were said to be able to enter communion with the planet itself.

The party finds Cloud suffering severe Mako poisoning in the town of Mideel, where he had washed in by the currents of the Lifestream, an ethereal substance that streams beneath the surface of the planet that is its life energy. Tifa stays behind to watch over him, as she is adamant Sephiroth's story of Cloud being Hojo's creation with false memories is untrue, and wants to help him regain his true self.

Remake employs adaptive music in its gameplay wherein multiple arrangements of a particular track are played simultaneously, which fade in and out with the player's actions, such as entering or exiting a battle.[quarenta] Arrangements also shift within a battle depending on the emotions the developers wanted players to experience from moment to moment.

i'm not so crazy bout this game, this is the first part that I went through in the whole series, and it turned out to be a remake of a very old game (the game is very good as a remake), but whatever one may say, this is an old game design, where the story is not crazy, fighting the system got boring by the half of the game (by the way, in my understanding the game is very long), and at the same time the side quests are terrible, but the game definitely has its perks.

Particularmente achei essa uma adição interessante e de que ameniza 1 pouco este grind para termos acesso a produtos previamente das partes mais complicadas, e estou curioso de modo a olhar este que mais vamos poder construir nesse novo sistema.

There are five other examples of audible vocalization in the game: in the FMV sequence when Midgar's Sector 7 plate is collapsing onto the slum underneath, the slum's residents give a frightened scream. At the end of this sequence, President Shinra observes the chaos below from his top floor office in Shinra Tower listening to opera music. The sound of pilots and/or air traffic control can be heard communicating when Cloud first arrives in Upper Junon airport.

Há criaturas e monstros que regressam de forma recorrente e de que atuam saiba como temas, mas de que nãeste unem ESTES jogos em Teor narrativos final fantasy 7 remake de nenhuma MANEIRA.

The musical score of Final Fantasy VII was composed, arranged, and produced by Nobuo Uematsu, who had served as the sole composer for the six previous Final Fantasy games. Originally, Uematsu had planned to use CD quality music with vocal performances to take advantage of the console's audio capabilities but found that it resulted in the game having much longer loading times for each area. Uematsu then decided that the higher-quality audio was not worth the trade-off with performance, and opted instead to use MIDI-like sounds produced by the console's internal sound sequencer, similar to how his soundtracks for the previous games in the series on the Super NES were implemented.[68][69] While the Super NES only had eight sound channels to work with, the PlayStation had twenty-four.